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Lynn Hershman Leeson on her work for the Venice Biennale

Lynn Hershman Leeson on her work for the Venice Biennale

Lynn Hershman Leeson on her work for the Venice Biennale



THE TERM CYBORG turned sixty in 2020. I noticed this simply final 12 months, so my venture, Logic Paralyzes the Coronary heart, is a couple of sixty-one-year-old cyborg, performed by the actress and filmmaker Joan Chen, who’s reconsidering the trajectory of her life. She was made by NASA, and since her start robotic units have populated the world. The distinction is that new applied sciences of surveillance are directed not at an enemy on the market however at folks in our personal nation. The cyborg goes on a retreat, which evokes her to fulfill her human avatar and clarify what she’s found. She desires to search out methods she could be extra human. The movie will likely be put in in a room wallpapered with tons of of AI-generated faces of people that don’t exist.

I don’t suppose I’d be doing this work if I lived some other place. In Los Angeles, everybody talks about scripts; however within the Bay Space, everybody talks about code. You both discover out what’s being invented or begin questioning why one thing hasn’t been. I believe the Bay Space is driving the entire world proper now . . . minus the artwork world.

Logic Paralyzes the Coronary heart offers with existence in a world the place predictions are being made for us. We’d like to pay attention to what’s taking place, just like the big-data software program firm Palantir partnering with Amazon, which companions with ICE [US Immigration and Customs Enforcement]. I don’t suppose folks perceive the diploma to which our choices are being taken over. Nonetheless, Logic is a optimistic piece. It talks about our dreaded dilemmas, but it surely reminds us that different futures are potential: We now have, as a species, modified earlier than. We have to work out what we are able to do to dwell and cohabit. People and cyborgs are companions—one doesn’t need to be a grasp and the opposite the slave. I needed the movie to finish with the human avatar instructing the cyborg the way to dream. It’s a type of plea for survival.

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